Photo Gallery

A MARRIAGE (House Manager, Jo, Steven, Perry), TheatreFIRST

A PICTURE OF TWO BOYS (Pete/Peter), New Conservatory Theatre Center. Photo Credit: Jenny Chapman Photography

A PICTURE OF TWO BOYS (Pete/Peter), New Conservatory Theatre Center. Photo Credit: Lois Tema

A PICTURE OF TWO BOYS (Pete/Peter), New Conservatory Theatre Center. Photo Credit: Jenny Chapman Photography

ANGELS IN AMERICA (Prior Walter), Coastal Repertory Theatre. Photo Credit: Joyce Morrell

SOMEWHERE (Alexander), Perspective Theatre Company/The Pear Theatre – PHOTO CREDIT: Mario Ramirez

THE GLASS MENAGERIE (Tom Wingfield), Santa Clara Players

DRACULA (R.M. Renfield), Douglas Morrisson Theatre

DRACULA(R.M. Renfield), Douglas Morrisson Theatre

DRACULA (R.M. Renfield), Douglas Morrisson Theatre

GOOD. BETTER. BEST. BESTED. (Sheldon / Septimus), The Custom Made Theatre Company

THE NORMAL HEART (Mickey Marcus), Theatre Rhinoceros – “Tim Garcia is electric as Mickey Marcus, angry over losing the hard-fought right to love in the face of a sexless new world.” – For All Events

THE NORMAL HEART (Mickey Marcus), Theatre Rhinoceros

THE NORMAL HEART(Mickey Marcus), Theatre Rhinoceros – ““One of the youngest actors in the production, Tim Garcia, displays incredible emotional variability as Mickey Marcus, a mentally unstable writer for the Health Department who grapples with the lack of information about the disease.” – Daily Californian

THE NORMAL HEART

TWISTED HITCHCOCK (Norman / Norma Bates), Left Coast Theatre Company (2017) – “Tim Garcia is brilliant, morphing between [Norman Bates] and his mother with split-second timing. He goes back and forth with amazing speed in a brilliant display of acting.” – Talkin’ Broadway.

TWISTED HITCHCOCK (Norman / Norma Bates), Left Coast Theatre Company (2017)

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THE LARAMIE PROJECT (Jedadiah Schultz, Aaaron Kreifels, Rev. Fred Phelps, Philip Dubois, Doug Laws, Governor Gerringer, Judge, Jurror), Left Coast Theatre Company

GHOST LIMB (Javier Alfaro), Brava Theater (2017) “…this young actor shows promise for his ability to hold the whole stage in the grip of one character’s tension.” – SF Gate

GHOST LIMB (Javier Alfaro), Brava Theater (2017)

HOW THE WORLD BEGAN (Micah Staab), Custom Made Theatre Company”a tour-de-force” (Horwitz, TheatreStorm)”spellbinding… a gripping production” (Connema, Talkin’ Broadway) “strong performances… a fascinating spiral of conversations and unexpected consequences.” (Sokol, SF Examiner) “5/5 stars! This was one of the best plays I have ever seen, from the playwriting to the acting, all exceptional. I also love this little theater setting, easy to get to, great staff.” (Paton Review)

HOW THE WORLD BEGAN (Micah Staab), Custom Made Theatre Company”Tim Garcia is a revelation as the young student Micah. He gives a superb performance as the moody 16 year old student who has just lost his parents in the tornado. He makes the audience see how his beliefs have become a fortification against a world that keeps fluctuating under his feet. His penetrating performance allows the audience to see the damage, even despairing young man under the stoic surface.” – Connema, Talkin’ Broadway

HOW THE WORLD BEGAN (Micah Staab) Custom Made Theatre Company “He, too, is fascinating to watch and listen to, as we try to understand. There’s tremendous power in Mr. Garcia’s performance and in Micah’s honesty, which puts him in direct conflict with the science that Susan is professing.” – Horowitz, TheatreStorm

HOW THE WORLD BEGAN (Micah Staab) Custom Made Theatre Company “Tim Garcia delineates the reactions of the young, orphaned student very well, showing his intensity and callow, awkward sense of fairness, his desire to communicate and his underlying guilt and religious mania, occasionally repetitive in his mannerisms.” – Bullock, The Berkeley Daily Planet

HOW THE WORLD BEGAN (Micah Staab), Custom Made Theatre Company “Their dance of Bio versus Bible goes back to the Darwin debates, but playwright Treishmann is more interested in how hard they try to understand each other, and how they circle around accepting or rejecting each other’s good intentions. Together they are explosive, insightful, and frank, constantly upping the odds with forthrightness and intensity. McGloin and Garcia do superb justice and bring great passion to the tornado coming between them. They could be mother and son, they could be Mary and Jesus, they could be Darrow & Bryan.” – Horowitz, TheatreStorm

HOW THE WORLD BEGAN (Micah Staab), Custom Made Theatre Company

HOW THE WORLD BEGAN (Micah Staab). Custom Made Theatre Company

HOW THE WORLD BEGAN (Micah Staab), Custom Made Theatre Company”The real star of this production is Tim Garcia. From the moment he slouches into the classroom, he commands the stage and our attention. His nervous twitches, taut face with never a smile on it, amazingly stressed hand movements, eyes one moment averting others and the next directly confronting with no fear, and his constant movement around the room in the way teenage boys can never be still: In these and so many other ways Mr. Garcia shows all signs of being a mature actor beyond his young age. We as audience are both repulsed by his increasingly revengeful-sounding demands while at the same time are ready to step in and hug and comfort this kid who is evidently so traumatized and fearful from events that have transpired in his life long before this ‘gobbledygook’ remark.” – TheatreEddy

THE SPEAKEASY (Dick / James), Boxcar Theatre

ANGELS IN AMERICA: MILLENNIUM APPROACHES (Prior Walter), Foothill Theatre”A quality that sets really excellent actors apart is that when they are in a role, that is all they are. They are nothing else. Garcia, Perez, Williams and Befera do that in this production. There are other good performances in this cast, but those four are extraordinary.” – John Orr, Regarding Arts

ANGELS IN AMERICA: MILLENNIUM APPROACHES (Prior Walter), Foothill Conservatory – “Tim Garcia is an excellent actor who not only delivers Prior Walter’s lines with great meaning, he is a small, very thin man, and when he collapses on the floor, as this tiny, broken man who is terrified about having to go to the hospital, terrified by the blood he is spilling, terrified by what he fears will be his loneliness if his lover leaves him, it is a hugely powerful scene.” – John Orr, Regarding Arts

ANGELS IN AMERICA: MILLENNIUM APPROACHES (Prior Walter), Foothill Theatre

ANGELS IN AMERICA: MILLENNIUM APPROACHES(Prior Walter), Foothill Theatre

ONE FLEW OVER THE CUCKOO’S NEST (Dale Harding), Ohlone College

“An excellent group of young men comprise the patient roster… Garcia is sharp and winning in his dialogue with Monaco…” in “One Flew Over The Cuckoo’s Nest” (Dale Harding), Ohlone College – TriCity Voice

ONE FLEW OVER THE CUCKOO’S NEST, (Dale Harding) Ohlone College

ONE FLEW OVER THE CUCKOO’S NEST (Dale Harding), Ohlone College

MILLICENT SCOWLWORTHY (Boy 2 / Henry Vanderslice) 99 Stock Productions

MILLICENT SCOWLWORTHY (Boy 2 / Henry Vanderslice) 99 Stock Productions

CONEY ISLAND CHRISTMAS (Ira Pushkov), City Lights Theatre Company

CONEY ISLAND CHRISTMAS(Ira Pushkov), City Lights Theatre Company

CONEY ISLAND CHRISTMAS (Ira Pushkov), City Lights Theatre Company

CONEY ISLAND CHRISTMAS(Ira Pushkov), City Lights Theatre Company

CONEY ISLAND CHRISTMAS (Ira Pushkov), City Lights Theatre Company

THE COMEDY OF ERRORS (Dromio of Atlantic City), Los Gatos Shakespeare Festival

THE FURTHER ADVENTURES OF THE THREE MUSKETEERS (Le Vipère), Los Gatos Shakespeare Festival

THE FURTHER ADVENTURES OF THE THREE MUSKETEERS(Le Vipère), Los Gatos Shakespeare Festival

TO KILL A MOCKINGBIRD (Bob Ewell), San Jose State University

TO KILL A MOCKINGBIRD (Bob Ewell), SJSU

TO KILL A MOCKINGBIRD (Bob Ewell), San Jose State University

THE GRAPES OF WRATH (Grampa / Deputy Sheriff), SJSU

THE GRAPES OF WRATH (Grampa), San Jose State University (2014)

THE GRAPES OF WRATH (Deputy Sheriff), San Jose State University (2014)

“8” by Dustin Lance Black (Kaucher-Mitchell Event for Excellence in Oral Interpretation, 2013)

READ TO ME (Tony Hotchkiss) 38th BAPF (2015), dir. Christine Young”We all think death is going to stop the world, but it really doesn’t. Especially when a child dies. If an old man dies who was the head of his family, there is a will, maybe a house to sell, a whole generation of adult children who become orphans and heads of their own families all at once. But with a child everything stays in tact, except that something terrible is missing.And life goes on.”Performance personally dedicated in memory of Ryan White.